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Every shot in the film (courtesy of regular Aronofsky cinematographer
Matthew Libatique
) looks grand, yet never loses the focus of it's two leads
The cinematography from longtime Aronofsky collaborator
Matthew Libatique
is striking.
Combined with the stellar work of composer Clint Mansell and cinematographer
Matthew Libatique
, the result is a movie that is nearly as lovely to look
Matthew Libatique
shot all three movies, and the cinematographer outdoes himself here. He depicts the past as a mixture of grimy reality and shamanistic fantasy and imbues the future with glowing, hypnotic beauty.
cinematographer
Matthew Libatique
continues to prove that he's one of the finest in filmdom
