The Fountain


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Every shot in the film (courtesy of regular Aronofsky cinematographer Matthew Libatique) looks grand, yet never loses the focus of it's two leads


The cinematography from longtime Aronofsky collaborator Matthew Libatique is striking.
Combined with the stellar work of composer Clint Mansell and cinematographer Matthew Libatique, the result is a movie that is nearly as lovely to look

Matthew Libatique shot all three movies, and the cinematographer outdoes himself here. He depicts the past as a mixture of grimy reality and shamanistic fantasy and imbues the future with glowing, hypnotic beauty.

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cinematographer Matthew Libatique continues to prove that he's one of the finest in filmdom